When most people recall the
eighties, they muse about Ronald Regan, Michael Jackson’s phenomenal success
with Thriller, shoulder pads we’d
love to forget and hair bands (Poison, Motley Crue, etc.), along with many
unfortunate hairstyles (think mullet and giant frizzy bangs). For me, medical training, first medical
school then residency and fellowship, swallowed the decade whole. The only television I remember watching is
MTV videos and Miami Vice (think escape).
I rarely looked at a newspaper and was
oblivious to politics until the 1988 election.
By then, my blinders were coming off after witnessing the devastating
AIDS epidemic while those in power played “blame the victim.”
But before that point, one day in
1983 during my junior year Obstetrics rotation, my super-cool intern Marsha
suggested we skip out of the hospital in the middle of the day and go to a
movie. Nerd that I am, that was my first
(and last) time to skip school—ever. And
the movie? Flashdance, of course.
What a feeling.
Sitting in the dark, nearly empty
theater wearing baggy green scrubs and my oversized 80s glasses, I was
transported to Steeltown, USA. By the
movie’s fabulously romantic ending, every cell in my body yearned to be
Jennifer Beals’ striving, independent Alex Owens with dark curls and a
beautifully toned body. I wanted to
work hard and beat the odds to make my professional dreams come true. I wanted to ride a bicycle through the city
to my converted warehouse apartment and wear heels to the ballet at night. Despite the smoky bar and leering men, Alex’s
creative choreography had a purity that came from her love of dance. Though I’m no dancer, she was the perfect
heroine for me at the perfect moment in time (It didn’t hurt that she also
wrapped Nick around her lobster-eating fingers).
Yes, it’s incredibly corny, but
Alex and I were about the same age and both filled with the boundless
confidence of the truly naïve. She
didn’t fully understand that her passion and work ethic might not be enough in
the rarified world she sought to enter.
Similarly, I didn’t understand a whole slew of things about the world I
was entering, like the limits of medical knowledge and how what I didn’t know
might kill someone. I had never played a
team sport or been interested in the military, therefore male hierarchy made no
sense to me. As ridiculous as it sounds,
I was also completely clueless about issues of gender inequality. Helen Reddy’s “I Am Woman” had rung in my
ears since adolescence and I thought feminism was passé that I needn’t worry
about pay inequality or subtler forms of bias.
I simply did not understand the inherently conservative stance of the
medical profession. Conservative, as in,
holding to traditional attitudes and cautious about change. Even
though in the 1980s less than 15% of physicians were females, I didn’t
understand I was a member of a minority for whom the rules were different. I had done all the things the guys did to be
there so I assumed a level playing field (in medicine the metaphors always
relate to sports). As you can imagine,
some of what I didn’t know got me into trouble at times, another new experience
for a rule-following, teacher’s pet of an eldest child. Had I known, but also understood all of this
as a twenty-something, my path might have been smoother. On the other hand, I think it might have been
more burdened by anxiety, resentment and insecurity. One of the many things I’ve learned from my
patients is that sometimes blissful oblivion is preferable to the relentless
truth. Likewise, if Alex had known how
slim her chances for success were, she might never have soared through her
dance.
After my afternoon playing hooky,
Irene Cara’s voice rang in my ears and now when I need it most, it still does.
What a feeling
Being's believing
I can have it all
Now I'm dancing for my life
Take your passion
And make it happen
Pictures come alive
You can dance right through your life
I can have it all
Now I'm dancing for my life
Take your passion
And make it happen
Pictures come alive
You can dance right through your life
(And yes, I do know that Flashdance is not a documentary.)
Cindy Corpier is a recent MFA in Fiction graduate from
Spalding University. She lives in
Dallas, Texas where she practices Nephrology. She’s never gone on a bad vacation, still
believes she’ll one day speak French fluently and lives with an incredibly
patient husband along with two fairly impatient orange cats.
Thank you, Cindy, for your beautiful insights and for sharing your experience with us. It is a pleasure and an honor having you here today!
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